Everyone Calm Down About U2

Unless you've been living under a rock the last 2 weeks, you know that U2 has released No Line on the Horizon, their 11th studio effort. It's pretty damn good too. Here's the thing that I want to say. I think Rolling Stone's review of it was fair, except the rating of 5 stars. I'd say it's more like 4. I swear, when Rolling Stone received the record the editors formed a circle, put the record in the middle, and I'll let your creative mind fill in the blank as to what they did. I'm picking on Rolling Stone, but really everyone has given it a rave review.

Like I said, it's very good. I will straight up admit, I'd give it a B and say it's my favorite since All That You Can't Leave Behind. It does have a couple of flaws though. "Get On Your Boots." What? Bono, did you flunk grammar? Don't you mean "Get Your Boots On?" Are you telling me to stand up? Why didn't you say "Get On Your Feet?" This is the perfect example of how U2 writes a musically great song and put terrible lyrics to it. Remember, "HELLO, HELLO, I'M AT A PLACE CALLED VERTIGO!!!" AHHH!!!! Bono, you're so much better than that!!! You wrote some of the best songs in the 80's and 90's!!! "I Will Follow," "With or With Out You," "Pride," "Bad," "Two Hearts Beat As One," "New Years Day," Do I need to keep naming? I think I made my point. Why does every album now need a song that doesn't really make sense? Seriously a fifth grader could wrote "Vertigo" and you know what? A fifth grader probably would say "uno...dos...tres...cuatro" Not catorce (14)!!! Moreover, why does those kind of songs always have to be the first single too!?!?

Honestly, I think the first five songs are untouchable. They are awesome. But it does falter. "White as Snow," "Get On Your Boots," and "Cedars of Lebannon" are weaknesses. They are not bad songs, but they'd be better B-sides.

In the latest Rolling Stone magazine (yes, U2 is on the cover, and yes, I bet they circled up again...) the Edge said "It was a conscious thing to make a collection that was a whole; That's why it took so long." WHAT? NO...here's what happened. 2004, they toured in support of Atomic Bomb, 2005-07 Bono tried saving the world and the others rested comfortably, then 2008, they probably entered the studio. Like I said, this is a good album, but there's no way this is 4 years of work...11 songs, like I said throw 3-4 of them out...if that's true, I want my money back.

This is a good record. A solid B rating. More satisfying than Atomic Bomb. Just listen for yourself, don't listen to all the magazines tell you...

Amazing Records so far in 2009!!!

I have to say, it's been awhile since by the end of February there's been 3 records that I'd give the grade of an A to. I can't believe how good music has been so far.
First up, Thursday's comeback from A City by the Light Divided (not counting the e.p. and the live Kill the House Lights) proves to be a crowd and fan pleaser. When I bought A City by the Light Divided, I really thought that it didn't sound like Thursday. I could tell they were trying to continue to artsy-ness of War All the Time, instead it upset many fans. This one is a total return to the edginess of Full Collapse, but expanding their sound from War All the Time. There are some songs where Geoff's voice sounds as haunting as Radiohead's Thom Yorke. Actually, a couple of my friends who really like Radiohead, really like this album!!! If you like hard rock in general, this record is a must own from 2009. Key Tracks: "Resuscitation Of A Dead Man," "Time's Arrow," "Friends In The Armed Forces," and "Unintended Long Term Effects."




Next, Morrissey's Years of Refusal. I've been listening to past Morrissey records and I must say, I think this is the best one since 1992'sYour Arsenal (yes, even better than Ringleader of the Tormentors, You Are the Quarry, and Vauxhall and I). This record is at times hard rock, at times melodic, at times alternative. It showcases the musicianship of the band very well and the songwriting of Morrissey. This album has so many great lyrics, more than normal I mean for Morrissey..."Life is nothing much to lose, it's just so lonely here without you..." or "I know by now you would have thought I would have figured myself out, thank you drop dead." It's awesome. Key Tracks: "Mama Lay Softly on the Riverbed," "Something is Squeezing my Skull," "That's How People Grow Up," and "It's Not Your Birthday Anymore."


Lastly, Lily Allen's It's Not Me, It's You. Somewhere along the way I missed the memo on Lily Allen. I had heard the name a couple of times, but never really thought anything of it. This time for her sophomore effort, I took note. What's better than a cute British girl, put to pop music, and lots of swearing...nothing. I did go back to listen to her first record and it's pretty good. This one however does seem a lot of more structured. The songwriting is really great too. I like how in the song "The Fear" she states, "I don't care about clever, I don't care about funny." I think DEFINITELY cares about cleverness, her lyrics RELY on it!!! And as a dude listening to her lyrics, I think it's impossible NOT to laugh at some of her lyrics. Overall, awesome record. Key Tracks: "The Fear," "22," "Not Fair," "Never Gonna Happen."

Like I've said, exceptional start to music so far. I still am digging the new Franz Ferdinand, The Incredibad (Andy Samburg's SNL short-songs), and U2, and yes there's going to be rant about them soon!!! BEWARE...

The WAY too late best of 2008 list.

Hey friends, get ready for a slew of posts soon.

Anyways, I was so busy over winter break and the end of the semester I realized I never made my best of 2008. So here it is!!!

#1: MURDER by DEATH, Red of Tooth and Claw
It seriously upsets me that this record got overlooked by many lists. I loved it since it's release. MBD always puts out good records, this one was the one that I said "Damn!! They did it!!"

#2: Coldplay, Viva La Vida or Death and All His Friends...
I really don't care what people say. They are great. Most people all know it too. They're just ignorant. It's okay, I hate admitting I like somethings too.

#3: Amanda Palmer, Who Killed Amanda Palmer?
Another one, enormously overlooked (not as much as MBD though). Her cutting edge lyrics are so beautifully matched with melodies that will have to singing along in no time, perhaps about curious sexual situations, astronauts, and a boy named Blake.

#4: Bloc Party, Intimacy
What I LOVE about these guys is that almost every year we get a new album AND the albums are all solid. I LOVE the first two and this one is right up there with them!!! They are on a roll...

#5: Butch Walker, Sycamore Meadows
This was a nice refreshing album to me because quite honestly, I really did not like Butch Walker and the Lets-Go-Out-Tonites. I am not saying it wasn't good, it just wasn't my style. This record is awesome though, very much back to the roots like Letters had.

#6: Thrice, The Alchemy Index III & IV
Wow. Well-crafted philosophical songs to close out their Fire, Water, Air, and Earth ep's. These last two I would argue really grabs more people on a global scale. Well played. (Side note, amazing live show too!)

#7: The Mars Volta, Bedlam in Goliath
My favorite record since their debut. Very, very good, it musically sounds a little more clearer than Frances on Mute.

#8: The Cure, 4:13 Dream
Well those of you know me close knows what this band has done for me so this will look a little bias. However, this album, I think is their best since Bloodflowers, I may even go so far to say Wish...Check it out, you will not be disappointed.

#9: The Magnetic Fields, Distortion
Wow.

#10: Bon Iver, For Emma
Come on! He's from Wisconsin...no really, this album is really good IF you like folk and acoustic rock.

#11 Nine Inch Nails, The Slip
I actually like this better than Year Zero. Yeah, I said it...

#12: Panic! at the Disco, Pretty.Odd
I really didn't care too much for this record when I first bought it but by about the 5th time through I was saying "this is pretty good." There are some throw away songs that don't do anything for me but theres enough to keep me in love with it (Northern Downpour, Do You See What I am Seeing, Behind the Sea, to name a few...)

#13 Lil Wayne, Tha Carter III
Yes, it's kinda of low on my list, but I don't listen to rap much. However, when I find that album or two that hits me, I will ALWAYS give it credit. Well deserved publicity over this one and very well deserved Grammy.

#14: She & Him, Volume One
Take two things I love. The guitar playing of M. Ward (solo act, Bright Eyes, other collaborations) and Zooey Deschanel (who I had no idea could sing!) and you have She&Him. This record is great, it reminds me of listening to my mom's old 60's records. I really hope they keep making records and proves not to be just another actor/actress taking a stab at singing, she's great and so is Ward's riffs.

#15: R.E.M., Accelerate
Pretty damn good if you like the early indie years of R.E.M. and even if you don't there's enough to keep you happy.

Yup, thats right, TV on the Radio isn't on here. 10 years from now you won't know them, Rolling Stone, Spin, etc. ALL magazines that I read, but remember sometimes they don't rank whats good, they rank what they want you to think is good. "Come listen to TV on the Radio and you'll be cool, everyone's doing it..."
Also, Radiohead's In Rainbows was 2007, I bought it off their website in 2007, thats when it came out...

Honorable mentions:
Fleet Foxes, they show promise, I like what I've heard...
Alkaline Trio, not really as good as the last two but a solid effort...
Common, I really liked this R&B record a lot...
Portugal. The Man, hell yeah...
Vampire Weekend, ok-to-pretty decent, I need more convincing on this band
The Gaslight Anthem, I haven't heard anything before The '59 Sound, but this is a very good record...
Bring Me the Horizon, they are breaking through...also catching big break on tour with big names.
Jack's Mannequin, honorable mention but it could have been way better...
This Town Needs Guns, I don't know much about them, but Animals is awesome! This was probably my #16...

A little on the disappointing side...

Death Cab for Cutie, it's okay, I forgive you, the last 3 we're A+ records, this one is like C
The Academy Is...,why do people like Fast Times At Barrington High so much? Seriously, I almost shed a tear...Santi was SOOOO good and then this?
The Killers, really? really? "are we human or are we dancers?" I love metaphors and all, but what the fuck does that even mean?


best new artists:
She&Him
Bon Iver
The Gaslight Anthem
This Town Needs Guns
Bring Me the Horizon

There it is friends, I'm sure I missed one or two...what were some of your faves?